![]() After a turbulent five-day crossing from Kupang aboard a handmade boat, Charley and the team are delighted to finally hit the shores of Australia - the end of the journey is in sight! ![]() After finally making it to Borneo the team travel across the the Indonesian archipelago. From Bali, Charley embarks upon a series of boat journeys navigating his way across the Indonesian archipelago. The boat carrying the team to Borneo runs into difficulties. He gets off his bike and on to local means of transport, avoiding commercial airlines wherever possible to travel over land and sea on more than 100 different modes of transport, including container ships, dug-out canoes, solar cars and an elephant. Charley returns for his most daring journey so far, covering three continents, 25 countries and over 20,000 miles from Ireland to Australia, the crew comprised only Boorman, Malkin and a cameraman, Paul "Mungo" Mungeam. ![]() ![]() Travelling from Wicklow, Ireland, to Sydney, Australia, it features him completing the journey using 112 modes of transport and only travelling by plane when absolutely necessary.Īfter Long Way Round and Long Way Down, Boorman and producer Russ Malkin conceived By Any Means in late 2007. ![]() Travel Documentaryhosted by Charley Boorman, published byīy Any Means, also known as Ireland to Sydney by Any Means, is a television series following Long Way Round and Long Way Down star Charley Boorman. ![]()
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![]() ![]() With its modern twist on conventional relationships, her latest title would be best suited for contemporary nonfiction collections." - Carolann Curry, Mercer Univ. Those put off by the book's premise shouldn't be: this is not so much an espousal of nonmonogamous relationships as it is a comprehensive guide to the phenomenon, offering numerous firsthand accounts from those involved in open relationships. Village Voice sex columnist Taormino, who has authored or edited a handful of guides on physical relationships (e.g., The Ultimate Guide to Anal Sex For Women), sheds light on the various types of open relations and shares tips on how these relationships can most successfully be maintained. ![]() ![]() "If you are looking for an everyday, run-of-the-mill relationship guide, this introduction to the world of nonmonogamy is probably not for you. If you need a pathfinding guide for evolving your relationships, this is it." - Daphne Rose Kingma, author of The Future of Love "Courageous, stunningly thorough and inspiring. Comprehensive, clear, and grounded in practical realities, this book is one of the best to come along in a long time!" - Deborah Anapol, Ph.D., author of Polyamory: The New Love Without Limits "Bold advice for explorers of open relationships. Taormino's discussion is remarkably nuanced and balanced-and encourages readers to proceed with their eyes wide open." - Jack Morin, PhD, author of The Erotic Mind "A luscious smorgasbord of non-monogamy as an opportunity for breaking free of one-way models of sex and love. ![]() ![]() This paper will examine how medical and non-medical discourses shaped the representation of epilepsy and contributed to the cultural mythology surrounding epilepsy. However, even till the late nineteenth century, medical narratives were intertwined with the fictional narratives that surrounded epilepsy, and these narratives contributed significantly towards the stigma that has historically been associated with the disease. The Hippocratic physicians were among the first to attempt to separate the scientific and. Later, Areatus was also one of the people who called the disease ‘sacred’ according to them, a deity had sent a demon to possess the patient, or the patient had been cursed by the moon. Around 400 BC, Areatus - one of Hippocrates’ pupils, proclaimed ‘epilepsy is an illness of various shapes and horrible’. ![]() ![]() ![]() ![]() Or needing to lug the world's heaviest survival-kit backpack into the desert. Just as bad, she'll have to give up eavesdropping on twelve-step anonymous programs where the interesting talk is all about Higher Powers. president (maybe) and member of the International Guild of Knot Tyers. ![]() She'll have to lose her friends Miles, who lives on cookies, and Lincoln, future U.S. Guardians are supposed to stay put and look after girls in their care! Instead Lucky is sure that she'll be abandoned to some orphanage in Los Angeles where her beloved dog, HMS Beagle, won't be allowed. It's all Brigitte's fault - for wanting to go back to France. The meanness gland in her heart and the crevices full of questions in her brain make running away from Hard Pan, California (population 43), the rock-bottom only choice she has. ![]() ![]() ![]() Over the years Lortel also worked closely with several non-profit theaters as a donor and mentor. Many of these productions are represented in the collection by correspondence, programs, photographs and clippings. ![]() Lortel's productions at the White Barn and the ANTA Matinee Series at the Theatre de Lys brought works by Jean Genet, Sean O'Casey, Athol Fugard, and others to a wider audience. Lortel is credited with fostering the Off-Broadway movement and providing a forum for avant-garde and experimental work at her Theatre de Lys. ![]() Lucille Lortel's life spanned the twentieth century, so in addition to providing details of her family and personal life her papers encompass many aspects of the theatrical history of her era. The papers of Lucille Lortel relate the details of her life and career from teen years to her death in 1999, and include correspondence, production files, scripts, programs, production photographs, personal and family photographs, organization files, clippings, memorabilia, and scrapbooks. ![]() Restrictions apply Portions of this collection have been digitized and are available online. Lucille Lortel Papers, *T-Mss 2001-006, Billy Rose Theatre Division, The New York Public Library for the Performing Arts Repository Billy Rose Theatre Division Access to materials Request access to this collection. Creator Lortel, Lucille Call number *T-Mss 2001-006 Physical description 49.61 linear feet 37 vols. ![]() ![]() Her tastes can be summed up as high-concept, universally-reaching stories that are beautifully told. Her clients include Lamda-nominee Zack Smedley, Schneider Family Book Award-winner Shannon Stocker, Newbery Medalist and Pura Belpre Medalist Donna Barba Higuera, and she is co-agent for #1 New York Times bestselling author, Karen M. ![]() She has had the opportunity to work with many critically-acclaimed and bestselling authors. But there is something extraordinary in nurturing a book from the start, and seeing it find its place in the world. ![]() ![]() Allison is so lucky to say that she has only ever worked with books-a journey that has taken her from a library, to a bookstore, to a publishing house, and finally to the Studio-and books, particularly those for children, have been her lifelong passion.Īllison believes there is simply nothing better in the world than putting the perfect book into a child's hand. ![]() ![]() ![]() ![]() ![]() From mystery to hard-boiled noir to taboo lesbian romance, these rediscovered queens of pulp offer subversive perspectives on a turbulent era. They can't have both� - or can they?įemmes Fatales restores to print the best of women's writing in the classic pulp genres of the mid-20th century. Lynn is facing choices that will determine the course of the rest of her life, but rather than just choose between suitors, Lynn and other working girls like her must decide whether to abandon their careers� - or abandon their men. But her company has a strict new policy: Any woman who marries will be immediately fired.įirst published in 1931� - the same year the Empire State Building opened its doors� - Skyscraper marks the advent of a new kind of romance plot, and Lynn a new kind of heroine. They are so in love that if they don't get married, something improper is bound to happen. Soon, Lynn also loves Tom, the young clerk down the hall. Lynn is an ambitious young woman who loves her job in the gleaming new Manhattan skyscraper. ![]() ![]() ![]() ![]() ![]() OL15942090W Pages 58 Partner Innodata Pdf_module_version 0.0.19 Ppi 360 Rcs_key 24143 Republisher_date 20220910204153 Republisher_operator Republisher_time 181 Scandate 20220902174323 Scanner Scanningcenter cebu Scribe3_search_catalog isbn Scribe3_search_id 9780761353287 Tts_version 5. Despite the dangers, Penn became a Quaker leader, and he dreamed of a place where people could freely practice religion. He had attended a meeting of the Quakers, people who practiced a religion forbidden in Britain during the 1600s. Urn:lcp:whowaswilliampen0000figl:epub:8a74a105-5cac-478f-b2d3-42760b7e0ded Foldoutcount 0 Identifier whowaswilliampen0000figl Identifier-ark ark:/13960/s2vvq1tjgn2 Invoice 1652 Isbn 9780761353287 Lccn 2011017221 Ocr tesseract 5.2.0-1-gc42a Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 1.0000 Ocr_module_version 0.0.18 Ocr_parameters -l eng Old_pallet IA-NS-1300484 Openlibrary_edition William Penn was only twenty-two years old the first time he went to prison. Access-restricted-item true Addeddate 14:01:35 Autocrop_version 0.0.14_books-20220331-0.2 Bookplateleaf 0002 Boxid IA40686619 Camera USB PTP Class Camera Collection_set printdisabled External-identifier ![]() ![]() ![]() Whether we like it or not, despite having spent hours in Middle Earth and Narnia, we still regard “War and Peace” or “Crime and Punishment” as higher literature, as REAL literature. There is a general tendency among Fantasy fans and writers alike to consider this genre as something unimportant and trivial. ![]() The former is open and welcoming, the latter is a fine example of elitism where being a Literature Professor will make you more worthy of attention. So it won’t come as a surprise if I admit to you that I prefer the World Fantasy Award rather than the Fantasy Critics Award. I believe that anyone could have the talent and the skills to tell us a compelling story. First of all I must admit that I am biased when it comes to Fantasy Awards. ![]() ![]() Ghost Story is mildly chilling, and it leaves a lot to be desired. However like I said, there should have been more effort put into delivering something truly horrifying. Genre fans may enjoy it, and there some good things about the film. Acting wise, there are some good performances, unfortunately there are no standout performances either. I enjoyed the film as a mindless time waster, but I also felt that the filmmakers could have put a bit more effort into the film's script to really make it stand out among other ghost tales. ![]() ![]() As it stands, there are some effective moments here and there, but overall the material is mostly flat with minimal chills to be had. Ghost Story is an average horror yarn that had the potential of being something truly memorable. ![]() |